Big Bad Blog : film and photography.

The Photos of Mason Proper, Something Wicked and JackBandit are in the WUNH Marathon Photo Gallery. Find out more about WUNH’s fundraiser.

I attended the NH film fest this weekend, it was a pleasure meeting some of the faces behind the Film Office. The Panels and screenings were top notch, and I enjoyed meeting other local filmmakers and folks from all over. I’ll see you again next year!

Not too long ago, I acquired a 1952 Bolex to use as a crash camera or a “B” camera on music video shoots. The older non-relflex, non-sync sound cameras of this type are perfect for this because they are cheap, and generally extremely rugged. If they’ve been well taken care of, you can get a good amount of utility out of them, for a fairly low price.

There are a bunch of pitfalls, however, that should make you nervous, especially when purchasing one of this cameras online. I bought mine from Ebay, but only after doing my research, and waiting several months for the right camera to come along. The key things to look for to avoid fraud or a non-functional camera are:

• Verify the seller’s description by checking it against the camera’s serial number on a site like http://www.bolexcollector.com.
• Verify that the camera is in the seller’s possession by asking for pictures of the serial number on the camera body with some object or phrase you specify. This might be a bit paranoid, and not necessary if you have other reason to trust the seller, but could prevent you from getting burned.
• Ask if film has been run through the camera recently and if you can see the footage.
• Be skeptical of sellers that claim to know nothing about the camera and are selling it “as-is”. You can get good deals this way, but you have to be careful, or you can wind up with a $200 to $1000+ doorstop.
• Ask about the condition of the lenses. Many of these cameras are 30+ years old and haven’t always been stored properly. Fungus can result, and normal wear and tear on parts (focus rings etc.) can take it’s toll even (and maybe especially) from amateur use.

Generally, if you are careful, and make a thorough investigation of both the camera and the seller you will get a highly useful camera with a unique look. Because these cameras are generally spring wound — you can take them places without electricity for extended periods of time. If I was ever to shoot an indie documentary in a remote location having a Bolex around as a B camera would be a great asset.

Normally, this blog is reserved for BBP projects and things of a photographic nature but I wanted to share my experience with a recent problem I had and solved.

I accidentally deleted my striped raid array in Disk Utility. This meant that I lost both my most recent work — and some older work that I had not yet backed up.

I called Apple Tech Support, who confirmed my research that it was not easily possible to recover from this mistake.

Because the disks were undamaged, and the files uncorrupted this method was possible. In other cases this might not work. Here’s the method I used to get my data back:

1. Recreated the raid array in disk utility using the same name, block size, disks and raid type.
2. This left me with a “blank” raid array that Mac OS could now recognize.
3. I promptly unmounted this array to prevent overwriting it.
4. I then used Prosoft’s Data Rescue II ($99 — worth it) to recover the files on the disk.You’ll want to use the “thorough” method and be patient. It took about 2 hours to scan my 600 gigabyte drive. You might also want to increase the maximum filesize it will look for if you have some large files (like video or digital medium format) otherwise it will cut them off (the default cutoff is 100mb I believe)

Of note to photographers is that Data Rescue can support Flexcolor format(.fff) files  as well as Photoshop and Canon Raw formats– this is important with this recovery method because without any way of determining file structure from the file allocation table the software searches the disk block by block for specific file types. I wasn’t able to find any other software that supported .fff format — so if you shoot with a Hasseblad and use a mac you might want to bookmark their website.

In order to enable Flexcolor support for Data Rescue you have to email their support guys and ask for it — as it doesn’t seem to be included by default yet.

When I was googling for information I didn’t find much on the topic, so I thought I’d help out and post my experience. There are also some free software alternatives in the form of Forensic oriented software for highly technical users. Check out the Helix Livecd made by E-fense. You can use the software package PyFlag to attempt to recover your raid array — it can actually attempt to reconstruct the filesystem — but currently doesn’t compile easily on a mac — and the Livecd currently won’t boot on a intel mac due to a Grub incompatability. I hope this helps — and please post any extra information or corrections.

Some new photos of New York City are up. These were taken with the new Hasselblad H3D-39 of the NYC skyline and some high end cars at Manhattan Motorcars. It’s an amazing camera, and the low rez jpg versions of these photos hardly do it justice.

Photos of Fictionplane and Snoop Dogg from their May 5th performance at the Whittemore center.

I’ve had these online for a little while but haven’t had the time to post a blog entry. Snoop puts on a good show, regardless of whether your into his music or not. I though Fictionplane was really good as well. I met them for a minute after the show, and they seemed like nice guys to boot. Again, I ran into the problem of not having the time to get good shots of the headliner because of the 3 number limit — and the fact that my camera battery died on me. Bad Luck. The shots I did get of Snoop were decent though, and I hope you’ll check them out.

Photos from the April 25th show of The Dropkick Murphys and State Radio.

I wasn’t too happy with the photos of Dropkick, so there aren’t as many of them as I’d have liked, but sometimes it can’t be helped. Lack of time and light conspired against me — though Dropkick put on a good show. On the other hand, having the full setlist to photograph State Radio proved pretty fruitful and I’m happy with the results. Hope you enjoy the photos.

Some new photos posted at under the reel section, featuring Caribou and Fuck Buttons  from their March 24th show at UNH.

Next month I’ll be showing at least one new print at Ello Gallery. You can find them at 110 State St. in Portsmouth. When I get the date for the opening, I’ll post that here, you’re all invited to come check it out!

In order to keep everyone in the loop about our projects, and new content available on the site, I’ve started up this blog. If your visiting this site for the first time and trying to get a sense for what we’re about, head on over to our online reel and check out the photo gallery and videos that I posted yesterday.